There are so many grand and wonderful paintings of early church times of table fellowship. And some I really, truly like. Yet, there is a male-centerness to them that would not have reflected the actual tables of Christian fellowship of the early church that these scenes are to depict. I do not see women and wives and slaves and children; typically just men, and when women are depicted, they are serving food. Most of these grand paintings were created and come at the time after Constantine, the Roman Empire Caesar (272 AD - 337 AD), herded the churches away from the homes of Christians and into buildings sanctioned by the State, along with laws to build up and protect an appointed church authority and priesthood consisting solely of men. Church began to reflect the culture of the empire more so than the one painted by the Apostolic church and the early church through 300 AD. This move recreated the church away from the Table fellowship of strangers and unequals that had increased and spread since the days after the Pentecost of Acts 2. Most of these wonderful paintings, as far as I can tell, come from the post-constantine Christian era, reading their “church experience” back into the apostolic and early church (form and experience).
We do that, too, now. Our vision of the church not only reflects the flaws and unredeemed aspect of our social and cultural times and trends, but we read this experience of church back into the life of the early church and, worse, back into the vision of the church depicted by our New Testament writers.
We do that, too, now. Our vision of the church not only reflects the flaws and unredeemed aspect of our social and cultural times and trends, but we read this experience of church back into the life of the early church and, worse, back into the vision of the church depicted by our New Testament writers.
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